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That said I have to tip my razor-sewn cap to Adrien Brody’s over-the-top dedication to his role – like Tom Hardy, he’s pitching it somewhere between entirely compelling and so hammy it hurts. Personally, I’m not sure why they bothered, given that Luca was too busy chewing the scenery to notice their bellyaching. Everyone’s a frustrated food critic it appears – certainly Luca’s right-hand men were far more interested in moaning about the (less than) culinary delights of Birmingham than eradicating pesky Brummie gang rats. The Shelby family might have had a bad week but it wasn’t much better for their would-be nemesis and his band of increasingly hungry men. By the time he fired the bullet with Luca’s name on it into his backyard I was an emotional wreck.
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Paul Anderson has long been one of the best things about this show and he excelled this evening, making you understand Arthur’s genuine need for vengeance and very real fear at what pulling the trigger might mean. Tommy wasn’t the only Shelby battling demons this week as Arthur also found himself under pressure, desperate to revenge John and yet forced to admit that the killing times were a-changin’. Certainly, it was Tommy who appeared most shaken by the encounter, telling Lizzie: “I once promised someone I’d change the world.” However, you don’t become a force within the Communist party without being able to withstand a few hard facts and I’d say that Jessie’s response – “Do you recognise the boy in the photograph?” – won her the round. Tommy clearly thought that brutal recitation of the facts would be enough to make Jessie wilt and examine the photograph. When he came back he was listed among the shell-shocked. Yes, that does also sound like the plot of a fantastically trashy novel, but the scene between Jessie and Tommy was beautifully played, from the calm way in which she laid out everything she knew about his “Water Lane gypsy” youth to his own devastating exhumation of her past: “I’ve also done my research, your sweetheart was at Passchendaele. Peaky Blinders has always been very clear that the Tommy Shelby who went to war was not the one who came back and this week we learned a little more about the “sweet boy” who joined the Great War in a fit of despair after the girl he loved died of consumption. It may just be that dancing with the devil is the price she’s prepared to pay.
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Will she really go through with it? Before this series I would have said: not a chance, but post-“execution” Polly doesn’t believe that she’s truly alive anyway. The biggest betrayal of all, however, was saved for the episode’s end as Polly, defiantly marching to the beat of her own drum and with a fabulous new haircut to boot, met up with Luca and offered to sacrifice Tommy in exchange for the lives of Michael, Arthur and Finn. Meanwhile, Tommy took Lizzie to the canal where he once took another lost love (he does seem to collect them) and sold her sweet lies that he wasn’t thinking of Greta De Rossi, that long-dead girl, as they made love under the arch. There were emotional betrayals, too: Michael’s loyalties were tested as his other mother visited him in hospital, bringing apples and the promise of a quieter life as well as the news that his brother missed him and his father had died.